This Floating Excrement Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

As we reflect on the television landscape of the recent year, a selection of series emerge not for their excellence, but for their spectacular failures. Ranging from cringe-inducing spin-offs to bafflingly bad documentaries, here are the productions that left us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with dreadful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the third series started, it looked like it had finally hit its stride. Then came an episode all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the last season. It ended on a bum note; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Yet, fans undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was difficult to know where to start listing the flaws. The laughably wooden writing? The mind-numbing veneration of affluence and consumption? The almost wilful parade of cliches? Performances so poor they felt borderline malicious? Suffice it to say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this three-part docuseries which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Supercomputer Drama

Naturally we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing accents. But there were plenty of other issues. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Considering the degree to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue animated; a meme for evening drinks with ideas of grandeur; a procession of snoozing dogs, humming beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about both Victoria Beckham and her struggles with career, identity, self-worth. But for whatever reason, this documentary series chose not to say them. Instead, the experience was like reading a marketing catalogue. She obviously has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality managing her estate. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up reeking of a production that was straining desperately to live up to something way beyond it.

Too Much

How do you follow a show that defined a generation? The expectation was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from strangely breezy, slightly mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Very much so.

Prime Target

We love the star … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about government agencies targeting – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was way more examination of her true psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Christopher Hart
Christopher Hart

Emily Carter is a digital experience analyst specializing in portal usability and user interface design.